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UID:866010
DTSTART:20260627T040000
DTEND:20260627T063000
STATUS:TENTATIVE
SUMMARY:The Whags
DESCRIPTION:Whatever ambitions The Whags have as a band they reserve f
 or their music\, evident in their wide-eyed second LP All Along the Wa
 ter There’s a Mountain Song. Tracked at Woodinville’s famed Bear C
 reek Studios\, the album vividly encapsulates the wide net they cast o
 ver Americana\, replete with southern-rock guitar licks\, the dual voc
 als of bluegrass\, and the same enchanting aura of classic jam bands. 
 There’s a flash of Fleet Foxes in the compositional matryoshka of 
 “Summer.” Porter’s and Tevin’s dueling guitars on “Pink” s
 ummon the Allman Brothers. The ghost of Exile-era Rolling Stones haunt
 s the late-night camaraderie of “Little Stick” and Tan’s giddy p
 iano on “High Resolution.”\n \nThough they officially formed in 2
 017\, the quintet’s roots go back to childhoods spent in the greater
  Seattle area\, where keyboardist Jordan Tan once laid down bluegrass 
 tunes with guitarist Chris Porter. After linking up with fellow guitar
 ist Liam Tevlin\, drummer Cam Hancock\, and bassist Charles Wicklander
 \, the group set about fashioning a style of music at the vertices of 
 their mutual interests: roots rock\, tight musicianship\, and the inti
 macy that comes from jamming for hours on end. Since then\, The Whags 
 have built a dedicated following in thrall with their live presence. W
 herever they choose to travel\, there’s a refreshing unseriousness t
 o their gait\, an unwillingness to profess that their music is anythin
 g more than it actually is — musician friends synced up in the momen
 t and recorded to tape.
DTSTAMP:20260625T005231Z
ORGANIZER;SENT-BY="mailto:jaclynkoc@gmail.com";CN=Jaclyn Connor:
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